{"title":"Revue Faire","description":"\u003cp\u003eA graphic design magazine published by Editions Empire in France.\u003c\/p\u003e","products":[{"product_id":"revue-faire-19-20-21","title":"Revue Faire 19, 20, 21","description":"\u003cp\u003eA magazine dedicated to graphic design produced by Sacha Leopold and François Havegeer of French design studio Syndicat.\u003c\/p\u003e\n\u003cp\u003eIn 19 Thierry Chancogne publishes a history of graphic designers-publishers, in 20 Catherine Guiral writes about Pierre Faucheux and Les Arcs, and 21 is dedicated to the most beautiful Swiss books 2004-2006.\u003c\/p\u003e\n\u003cp\u003ePages: 60\u003cbr\u003eDimensions: 200 × 290 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eYear: 2020\u003cbr\u003eLanguage: English, French\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44135968997551,"sku":"EERF282","price":3960.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_838befe7-30a2-44c5-8c01-f19324b45827.jpg?v=1720347078"},{"product_id":"revue-faire-special-issue","title":"Revue Faire Special Issue","description":"\u003cp\u003eOn the occasion of a visit to ‘Honey, I rearranged the collection’ at the MRAC Occitanie \/ Pyrénées-Méditerranée, Jérôme Dupeyrat and Thierry Chancogne continue their discussion of the controversial relationships that exist between art and graphic design, based on a historical collection of artists’ posters. They reflect upon the desire to democratise art, a symptom or symbol of potential new connections between graphic design and art in an era where artists have acquired a new graphic culture and graphic designers a new artistic ambition. The thematic exchanges are accompanied by thoughts from Mathias Augustyniak, drawing on his own experience with designing posters.\u003c\/p\u003e\n\u003cp\u003ePages: 80\u003cbr\u003eDimensions: 210 × 300 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2020\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44135969292463,"sku":"EERF301","price":3256.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_0a3948eb-3f32-40db-9347-0be7fceb1146.jpg?v=1720347089"},{"product_id":"revue-faire-23-24-25-26","title":"Revue Faire 23, 24, 25, 26","description":"\u003cp\u003eA magazine dedicated to graphic design produced by Sacha Leopold and François Havegeer of French design studio Syndicat.\u003c\/p\u003e\n\u003cp\u003eNo.23 A portrait: The Master approving of his own work\u003cbr\u003eNo.24 A theater identity: The Schauspielhaus by Cornel Windlin\u003cbr\u003eNo.25 Exhibition views: Jonathan Monk\u003cbr\u003eNo.26 Production process: Print on Demand\u003c\/p\u003e\n\u003cp\u003ePages: 76\u003cbr\u003eDimensions: 210 × 300 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: French, English\u003cbr\u003eYear: 2020\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44135969489071,"sku":"EERF328","price":4620.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_91a8233a-d653-4afe-8ee4-6d33bdeae335.jpg?v=1720347100"},{"product_id":"revue-faire-27-28-29-30","title":"Revue Faire 27, 28, 29, 30","description":"\u003cp\u003eThis issue of the bi-monthly magazine dedicated to graphic design comes in the form of four anthologies, each single subject addressed by a renowned author: ‘Rhizomes of London. Archigram and mental images of the city’, ‘The conference: a format’, ‘Girls, the Troopers of Dance. Aesthetization of Politics and Manipulation of Entertainment’ (on why the NSDAP replicated synchronised dancing in the 1930s), and ‘Types of types: the typographic specimen by Lineto’. Aimed at undergraduate students as well as researchers and professionals, ‘Faire’ documents contemporary and international practices of graphic design, along with the history and grammar of styles.\u003c\/p\u003e\n\u003cp\u003ePages: 100\u003cbr\u003eDimensions: 200 × 290 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2021\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44135971913903,"sku":"EERF428","price":4620.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_5cece283-0a06-4446-bae1-15d7e6a00c3a.jpg?v=1720347124"},{"product_id":"revue-faire-31-32-33-34","title":"Revue Faire 31, 32, 33, 34","description":"\u003cp\u003eThe ninth volume of the bi-monthly magazine dedicated to graphic design bundles together an interview by James Langdon with Stuart Bertolotti-Bailey, co-founder of the arts journal ‘Dot Dot Dot’ and co-editor of its successor, ‘Bulletins of the Serving Library’; an investigation into the topical graphic designer and illustrator Bráulio Amado; a curious look at how the emergence of the gothic novel in the 19th century gave rise to an entire genre of tentacled predatory plants; and an analysis by Thierry Chancogne of the “most beautiful book”, asking what has become of the term as applied to typography since 1943 and the establishment of the “Most Beautiful Swiss Books” award.\u003c\/p\u003e\n\u003cp\u003ePages: 72\u003cbr\u003eDimensions: 210 × 290 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2021\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44135973388463,"sku":"EERF559","price":4200.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_52c878de-131b-440f-8cda-5d61b0b74e16.jpg?v=1720347213"},{"product_id":"revue-faire-38-special-issue","title":"Revue Faire 38 Special Issue -  A debate: Jan van Toorn, Wim Crouwel","description":"\u003cp\u003eOur scene is set in the Museum Fodor in Amsterdam on November 9th, 1972. We are told that it was “smoky, noisy and crowded”, and that the gathered audience made its presence felt through “frequent shouting”. The center of this fevered arena hosted the encounter between two Graphic Designers, two graphistes, two typographers, Wim Crouwel and Jan Van Toorn, in a country where their voices carry, where their thinking is important. A meeting, a conversation, or rather a confrontation, a controversy, it has been described as a debate, one that characterizes the way in which our discipline was represented in the 1980s and that continues to echo today.\u003c\/p\u003e\n\u003cp\u003ePages: 64\u003cbr\u003eDimensions: 210 × 290 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44135974273199,"sku":"EERF716","price":3080.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_f56df5e1-7474-41b9-b48a-7f70428e60d5.jpg?v=1720347264"},{"product_id":"revue-faire-42-43-44-45","title":"Revue Faire 42, 43, 44, 45","description":"\u003cp\u003eA bi-monthly magazine dedicated to graphic design, published from October to June, distributed each two months in the form of anthologies of three or four issues. This volume kicks off with a non-comprehensive overview by Victoire Le Bars and Benjamin Thorel of 20 issues of ‘F.R.DAVID’, the unclassifiable journal that emerged in 2007. Thierry Chancogne then offers an analysis of typographic writing, seeking to answer how writing, with its personal dynamics, functions in conjunction with the industrial and normative generalisation of typography. Furthermore, James Langdon looks at the conundrum of the visual communication of neuroscience, while Stuart Bertolotti-Bailey analyses the inherent redundancy of graphic design templates in four case studies.\u003c\/p\u003e\n\u003cp\u003ePages: 148\u003cbr\u003eDimensions: 210 × 290 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44135977386159,"sku":"EERF989","price":6490.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_694530b1-8a1e-4c97-968e-8fda65c5593a.jpg?v=1720347379"},{"product_id":"revue-faire-39-40-41","title":"Revue Faire 39, 40, 41","description":"\u003cp\u003eA bi-monthly magazine dedicated to graphic design, published from October to June, distributed each two months in the form of anthologies of three or four issues. This instalment features a series of prints by Adrian Piper, an American artist who confronts sexism and racism. There is also Manon Bruet’s discussion with Eurostandard on the different visual identities they worked on with Les Urabaines, an interdisciplinary festival in Lausanne. An essay by Aude Fellay draws on recent debates about the condition of photography, rethinking the role of the the fashion image in a fiercely competitive modern landscape of memes, selfies, stories, and reels.\u003c\/p\u003e\n\u003cp\u003ePages: 64\u003cbr\u003eDimensions: 210 × 290 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44135977681071,"sku":"EERF990","price":5060.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_3c1de112-8ee0-4f07-bbed-e7ff8c96e971.jpg?v=1720347392"},{"product_id":"revue-faire-46","title":"Revue Faire 46","description":"\u003cp\u003eThe 46th issue of the critical graphic design journal is devoted to the Zurich-based graphic design studio Norm. Founded in 1999 by Dimitri Bruni and Manuel Krebs, the office was later joined by Ludovic Varone in 2005. The studio has only ever known computerised graphic design; it is their native language. Norm can be described as reasonable graphic designers who have created for themselves a reasonable foundation for decision-making. The computerised graphic design protocols they have established are also reasonable, and with them they are able to handle the vicissitudes of content.\u003c\/p\u003e\n\u003cp\u003ePages: 64\u003cbr\u003eDimensions: 210 × 290 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44657228415151,"sku":"EERF1314","price":3520.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_043b2241-9d13-4555-8d76-f614d1ee4c18.jpg?v=1732446865"},{"product_id":"revue-faire-47-48","title":"Revue Faire 47, 48","description":"\u003cp\u003eThis double issue examines the origins of the automation and mechanisation of translation and writing. Issue 47, “Machines, Accents, and Affects,” begins with a machine built by Dr René Marage in the late 19th century. Along with the history of graphic inscription of the voice, a history of our attraction and repulsion to technical objects is revealed. Issue 48, “Electric Letters,” looks at digital computing’s impact on writing by delving into its origins: the treatment of binary code. This transformation emerges in telegraphs and the advent of electricity in the 19th century. Our writings, initially addressed and interpreted by humans, are completed by a code that the machine can manipulate.\u003c\/p\u003e\n\u003cp\u003ePages: 68\u003cbr\u003eDimensions: 210 × 290 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44657228677295,"sku":"EERF1315","price":3300.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_5f6b4689-2a60-4806-ba48-c220a5b2dd93.jpg?v=1732446873"},{"product_id":"revue-faire-49","title":"Revue Faire 49","description":"\u003cp\u003eLawrence Weiner’s use of graphic design has always been of fascination for graphic designers. ‘What makes Weiner’s work seductive to graphic designers is his resolutely non-apologetic method of displaying words without need for any explanation.’* But in this text a comparative analysis is made of different voices about Weiner’s use of graphics \u0026amp; typography. Next to a speculative history of Weiner’s formal language, two interviews—with graphic designer Linda Van Deursen and artist Nora Turato—pay attention to Weiner’s enduring legacy.\u003c\/p\u003e\n\u003cp\u003ePages: 62\u003cbr\u003eDimensions: 210 x 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":44995775103151,"sku":"EERF1443","price":2750.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_3ea04a89-4c64-4657-834c-57fe84426865.jpg?v=1742379910"},{"product_id":"revue-faire-50","title":"Revue Faire 50","description":"\u003cp\u003e‘Revue Faire’ celebrates its 50th issue, delving into the Palace of Typographic Masonry. Established in 2018, this foundation provides a diverse platform for the creation and appreciation of graphic design. It also offers a reference framework and recognises individuals who have proven important to graphic design as a profession and the development of the field. Over the course of four epistolary exchanges, authors Thierry Chancogne and Richard Niessen discuss the content, issues, and principles of classification of this “palace”, a place dedicated to the promotion, dissemination, and support of an open and adventurous approach to the discipline of graphic design and typography.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 60\u003cbr\u003eDimensions: 220 x 300 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":45049569968303,"sku":"EERF1459","price":2530.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_88b9ba1c-2113-4fa7-85e0-920d03f3ba05.jpg?v=1744224591"},{"product_id":"revue-faire-51","title":"Revue Faire 51","description":"\u003cp\u003eA visual journey through an extensive collection of fashion ephemera housed at the International Library of Fashion Research in Oslo, the world's most comprehensive repository of specialized fashion research and contemporary fashion publications. Aude Fellay discusses the challenges facing fashion research today. Revue Faire is a bi-monthly magazine dedicated to graphic design, published from October to June, distributed issue by issue or in the form of anthologies of three or four issues. Faire is aimed for undergraduate students as well as researchers and professionals, documenting contemporary and international practices of graphic design, along with the history and grammar of styles. Each issue focuses on a single subject, addressed by a renowned author.\u003c\/p\u003e\n\u003cp\u003ePages: 76\u003cbr\u003eDimensions: 220 × 300 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":45393460560047,"sku":"EERF1518","price":3520.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_3e15d7bf-ba87-46b7-999a-a8327ed5222d.jpg?v=1749123474"},{"product_id":"revue-faire-52","title":"Revue Faire 52","description":"\u003cp\u003eThrough a combination of critical texts and a visual essay, this issue of Faire explores 3D computer graphics, sometimes called CGI, 3-D-CGI or three-dimensional computer graphics. From the early visuals used as Mac screensavers to the creation of entirely virtual worlds, this issue aims to examine various approaches to representing reality and to highlight some of the aesthetic and economic issues associated with the development of this now indispensable method of image production.\u003c\/p\u003e\n\u003cp\u003ePages: 96\u003cbr\u003eDimensions: 215 x 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":46043360329903,"sku":"EERF1645","price":5280.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_613c18b3-3a2c-4bb2-a9e0-c97b0525472c.jpg?v=1761726557"},{"product_id":"revue-faire-53","title":"Revue Faire 53","description":"\u003cp\u003eScene 1: The painter-iconographer \"describes any subject through drawing.\" Working in a studio or, from direct observation, in the midst of nature, they produce an image based on an object. They were already engaged in what Erwin Panofsky referred to as iconographies.\u003c\/p\u003e\n\u003cp\u003eScene 2: The painter-iconographer creates an image based on another image or metaphorical text, such as a painting, a photograph, or even an ekphrasis. In other words, the most complete possible textual representation or depiction of an image was one of the primary means of distributing it.\u003c\/p\u003e\n\u003cp\u003eScene 3: The artist—and no longer exclusively the painter-iconographer—selects an existing, \"ready-made\" image. In doing so, the artist becomes part of the body of professions linked to the multiplicity of images. The artist becomes a kind of librarian, curator, artistic director, editor: an iconographer aligned with what typographers and graphic designers have long asserted as an inherent means of regenerating the old tradition of illustration.\u003c\/p\u003e\n\u003cp\u003eScene 4: What happens, then, when contemporary graphic designers appear to take up the torch of an iconography that so-called iconographer-artists had already reclaimed—since the beginning of the last century—from graphic designers themselves, along with their culture and skills?\u003c\/p\u003e\n\u003cp\u003eFaire is a bi-monthly magazine dedicated to graphic design, published from October to June, distributed issue by issue or in the form of anthologies of three or four issues. Created by Empire, Syndicat studio's publishing house, Faire is aimed for undergraduate students as well as researchers and professionals, documenting contemporary and international practices of graphic design, along with the history and grammar of styles. Each issue focuses on a single subject, addressed by a renowned author.\u003c\/p\u003e\n\u003cp\u003ePages: 96\u003cbr\u003eDimensions: 215 x 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":46303047975087,"sku":"EERF1679","price":4180.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_c0ad57f4-2077-4847-849f-08d801dac2c2.jpg?v=1763614978"},{"product_id":"revue-faire-54","title":"Revue Faire 54","description":"\u003cp\u003eCentered on the emblematic figure of Pontus Hultén, this issue of Revue Faire explores the director's publishing work during his time at the head of the Moderna Museet in Stockholm, from 1960 to 1973.\u003c\/p\u003e\n\u003cp\u003eDirector and founder of a number of institutions, including the Moderna Museet and the Centre Pompidou, Pontus Hultén published books throughout his career. Beginning in the 1960s when he was appointed director of Sweden's first museum of modern art, he fully embraced the challenge of the exhibition catalog, even becoming involved in its design.\u003c\/p\u003e\n\u003cp\u003eMalou Messien is a freelance graphic designer based in Paris. Her design practice and passion for printed and design objects have led her to create collections that she shares in the form of texts, lectures and online sales platforms.\u003c\/p\u003e\n\u003cp\u003eFaire is a bi-monthly magazine dedicated to graphic design, published from October to June, distributed issue by issue or in the form of anthologies of three or four issues. Created by Empire, Syndicat studio's publishing house, Faire is aimed for undergraduate students as well as researchers and professionals, documenting contemporary and international practices of graphic design, along with the history and grammar of styles. Each issue focuses on a single subject, addressed by a renowned author.\u003c\/p\u003e\n\u003cp\u003ePages: 188\u003cbr\u003eDimensions: 310 x 340 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2025\u003cbr\u003eLanguage: English\u003cbr\u003ePublisher: Capsule\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":46369239924911,"sku":"WWRF1710","price":3850.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_426400d7-7476-4a14-a7e5-41120ab0ddd3.jpg?v=1764847518"},{"product_id":"revue-faire-55","title":"Revue Faire 55","description":"\u003cp\u003eBillboards are urban devices with significant potential for exploring the mechanisms that shape our perception of photographs in everyday life. As ‘contemporary visual monuments’ accessible to all, they foster open discussions about the everyday imagery that permeates that permeates our field of vision in public spaces. Drawing from an awareness of photography’s essential role in defining both personal identity and social belonging, this publication explores various practices: the rise of billboards as sought-after advertising spaces, the work of historical and contemporary artists who engage with them as sites of reflection, and cultural initiatives that transform them into a democratic exhibition format.\u003c\/p\u003e\n\u003cp\u003eIn an era dominated by online image consumption, ‘The Billboard Image: In, Around and About’ emphasizes the importance of bringing the focus back to the experience in physical space and cultivating consciousness of the photographs we passively encounter in the public realm—the place where opinions, value systems, power dynamics, and civic consciousness take shape. As public spaces become more fragmented by privatization, gentrification, and individualism, understanding the role of billboards in transforming urban space and, crucially, our collective imagination, is an essential step in reclaiming the spaces we inhabit.\u003c\/p\u003e\n\u003cp\u003eThe project ‘The Billboard Image: In, Around and About’ is supported by Strategia Fotografia 2024, promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture.\u003c\/p\u003e\n\u003cp\u003ePages: 48\u003cbr\u003eDimensions: 210 x 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2026\u003cbr\u003eLanguage: English, French\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":46602138583215,"sku":"EERF1786","price":3080.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_57a61ce3-f1d4-4bff-8b0c-56daa92ae95a.jpg?v=1772470489"},{"product_id":"revue-faire-56","title":"Revue Faire 56","description":"\u003cp\u003eReading Until I Sleep reflects on the work of designer and publisher Manuel Raeder. 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Across two decades he has developed a distinctive body of work spanning books, furniture, textiles, exhibitions and long-term collaborations, founding Studio Manuel Raeder and remaining co-founder of BOM DIA BOA TARDE BOA NOITE, which continues as a collaborative team based in his Berlin studio.\u003c\/p\u003e\n\u003cp\u003ePages: 52\u003cbr\u003eDimensions: 210 x 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2026\u003cbr\u003eLanguage: English, French\u003cbr\u003ePublisher: Editions Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":46692399939759,"sku":"EERF1807","price":3080.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_fe79048f-9a4c-43fc-ae9a-a7e3eabb1ca9.jpg?v=1774584805"},{"product_id":"revue-faire-30","title":"Revue Faire 30 bis — Types of types: the typographic specimen by Lineto","description":"\u003cp\u003eAn expanded reprint of the issue dedicated to the type specimens of the Swiss type foundry Lineto.\u003c\/p\u003e\n\u003cp\u003eFor Lineto the Specimen plays out through forms and formats in order to promote the foundry's typefaces: books, posters, envelopes, pamphlets, letter transfers, print ads, and video clips as well as inflatable structures and bootlegs of logotypes. When Reala published LL Biff in 2000, the specimen employed graffiti culture and its modes of distribution, along with a combination of two references: “Medium is the message”, “Style is the message”. For Lineto the citation is a form that allows them to distribute their typographic catalogue while promoting diverse cultural fields: “Ignorance of your own culture is not considered cool!”.\u003c\/p\u003e\n\u003cp\u003ePages: 84\u003cbr\u003eDimensions: 215 x 297 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, French\u003cbr\u003eYear: 2026\u003cbr\u003ePublisher: Empire\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":47153114939567,"sku":"EERV1872","price":4180.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_7deee50a-4cc5-42ae-9365-488271dcf6f4.jpg?v=1783595617"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/collections\/1_2e422f4e-aead-4ef7-9ab1-ee72163b4cfd.jpg?v=1767847059","url":"https:\/\/www.graphic-design-books.com\/en\/collections\/revue-faire.oembed","provider":"Graphic Design Books curated by North East","version":"1.0","type":"link"}