{"title":"Understanding and Applying Typography","description":"\u003cp\u003eFrom origins to practical guides.\u003c\/p\u003e","products":[{"product_id":"bi-sriptual","title":"Bi-Scriptual: Typography and Graphic Design with Multiple Script Systems","description":"\u003cp\u003eAs a result of globalization and increased interaction across countries and cultures, multilingualism is becoming increasingly important all around the world. Script, as the most important conveyor of information, is at the center of this development. Designers are more and more faced with the challenging task to create advertising posters, signage systems, books or lettering, for example, that not only combine different languages but two or even more writing systems with varying visual precepts and habits.\u003c\/p\u003e\n\u003cp\u003eAt first, important general aspects are documented and discussed such das sociocultural premises, technical requirements as well as practical considerations. All eight in-depth presented writing systems are then described by specialists in the field and illustrated by work examples from international designers and studios. \"Bi-Scriptual\" provides a thorough overview of the various possibilities for the booming field of multiscript design to foster international communication.\u003c\/p\u003e\n\u003cp\u003ePages: 320\u003cbr\u003eDimensions: 210 × 315 mm \/ 8.2 × 12.4”\u003cbr\u003eLanguage: English\u003cbr\u003eBinding: Hardcover\u003cbr\u003eYear: 2018\u003cbr\u003ePublisher: Niggli\u003c\/p\u003e","brand":"Niggli","offers":[{"title":"Default Title","offer_id":44133201969327,"sku":"NIBS165","price":14960.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_d1176860-6227-41fb-a50c-b9624c200e2b.jpg?v=1720284949"},{"product_id":"aesthetics-imperfections","title":"Aesthetics Imperfections: How AI is changing the Landscape of Typography","description":"\u003cp\u003eCreativity and innovation are no longer exclusively the province of humans, but the result of collaboration, a game of interpretation in the dialogue between humans and machines. This is the world in which we live today, where artificial intelligence is rapidly evolving and new scenarios are opened. Is AI technology revolutionising the fields of art, design, communication, and marketing, but as regards typography? This research brought Gianpaolo Tucci to discover aesthetic imperfections as a value of uniqueness for each individual representation. This is not a book on typography, but the expression of a point of view, a practical guide, and an investigation on how the integration and ethical use of artificial intelligence will play a fundamental role in modelling this future.\u003c\/p\u003e\n\u003cp\u003ePages: 288\u003cbr\u003eDimensions: 200 × 280 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Slanted Publishers\u003c\/p\u003e","brand":"Slanted Publishers","offers":[{"title":"Default Title","offer_id":44133220483247,"sku":"SPAH1148","price":8140.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_105c24b8-8eed-4890-8fc6-6d4b75e55487.jpg?v=1720285382"},{"product_id":"design-typography-etc-a-handbook","title":"Design, Typography, etc: A Handbook","description":"\u003cp\u003eWhy does a newspaper look different than a magazine or a book? What effect does using a certain typeface or a specific grid have? And why do some layouts just seem right, and others seem simply wrong?\u003c\/p\u003e\n\u003cp\u003eThis comprehensive handbook and reference volume elaborates by means of sketches and explanations on the basics and terminology that are indispensable for the design and production of print media. From the initial layout and the correct use of color and typefaces to the right column width and line spacing: “Design, Typography, etc.” covers all aspects of good design for books, posters and advertising.\u003c\/p\u003e\n\u003cp\u003ePages: 272\u003cbr\u003eDimensions: 230 x 305 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2017\u003cbr\u003ePublisher: Niggli\u003c\/p\u003e","brand":"Niggli","offers":[{"title":"Default Title","offer_id":44135932559535,"sku":"NIDA862","price":11990.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_99f6438c-3daa-417b-9f1a-1b2c3e9cb4d5.jpg?v=1720344912"},{"product_id":"mono-is-the-new-black","title":"Mono is the new Black: Monospace Fontionary","description":"\u003cp\u003eMonospaced fonts originate from the typewriter and are characterized by the peculiarity that all letters, digits, and characters have the same width. Mono is the new Black discusses the function and aesthetics of this unique kind of typeface and deals with its cult status in the (mainly young) design scene. The aim of the handbook is to inform and inspire typographers, typeface developers, designers, as well as readers interested in culture in general with facts, analyses, expert positions, practical examples, and a comprehensive font collection.\u003c\/p\u003e\n\u003cp\u003eIn a cultural-historical outline, the author first presents the historical aspects of this typeface and shows how closely intertwined type, technical progress, and social development are. In the middle section, he presents a selection of examples of the work of globally active designers and agencies with a focus on the many possible applications. The final section is a script compendium that provides a clear overview of 175 monospaced fonts and shows the changes that these distinctive monospaced fonts have undergone, from machine type to entirely digitally developed coding fonts.\u003c\/p\u003e\n\u003cp\u003ePages: 532\u003cbr\u003eDimensions: 125 × 183 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Niggli\u003c\/p\u003e","brand":"Niggli","offers":[{"title":"Default Title","offer_id":44135962804399,"sku":"NIMM1121","price":9680.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_345c061c-c8c9-4f7b-8d1d-2cb67c121f84.jpg?v=1720346705"},{"product_id":"mono-moment","title":"Mono Moment—Monospace Type Design","description":"\u003cp\u003eFriedrich Nietzsche was probably one of the first to feel the aesthetic appeal of monospaced typefaces. Since he started writing with a typewriter, typefaces, and punctuation have been important to him. In the meantime, we encounter monospaced typefaces regularly in everyday life: in design and in art, in coding, on tax records, or on our ID. If you take a closer look, you will encounter non-proportional typefaces more often than expected.\u003c\/p\u003e\n\u003cp\u003eMonospaced typefaces are defined by their fixed, equal width for all characters. Every character, letter, and number occupies horizontally and vertically the same space. Proportional typefaces, in turn, have harmoniously balanced spaces with variable widths between their characters. The widths are not set proportional. That is why monospaced typefaces are also named non-proportional. What exactly is the attraction of typefaces, whose letters and characters each occupy an equally large space?\u003c\/p\u003e\n\u003cp\u003eDue to the increase in typeface production over the past few decades, almost every well-developed font family also has a mono or semi-mono cut. When searching for the word “monospace” on the World Wide Web, countless entries can be found in addition to the results such as “I am looking for a beautiful monospaced font,” “Top Ten Monospace Fonts,” or “Best Monospace Fonts for Coding.” At a time when it has never been easier to design and publish typefaces, this book provides a good orientation to monospace.\u003c\/p\u003e\n\u003cp\u003eFeatured typefaces: Airport Mono, Andal  Mono, Anonymus Pro, AO Mono, Aperçu Mono, Atlas Typewriter, Base Mono, Basier Mono, Blue Mono, Calico Mono, Cindie D, Consolas, Courier, Cygnito Mono, Eureka Mono, GT Pressura Mono, IBM Plex Mono, Input Mono, Kettler, Letter Gothic, LTC Remington, Maison Mono, Monaco, Monoela, MonoLisa, Orator, Pica 10 Pitch, Pitch, Plastic, Platelet, Roboto Mono, Simon Mono Light, Sneak Mono, Source Code Pro, Space Mono, Splendid 66, Sudo, Suisse Int’l Mono, SYNO MONO, The Future Mono, TheSans Mono, Typist Code, Typist Slab, Ubuntu Mono, and Vulf Mono.\u003c\/p\u003e\n\u003cp\u003ePages: 208\u003cbr\u003eDimensions: 155 × 245 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2022\u003cbr\u003ePublisher: Slanted Publishers\u003c\/p\u003e","brand":"Slanted Publishers","offers":[{"title":"Default Title","offer_id":44135963328687,"sku":"SPMM1147","price":3630.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_048d6200-c5c0-40ee-a29a-060499c80010.jpg?v=1720346735"},{"product_id":"the-graphic-artist-and-his-design-problems","title":"The Graphic Artist and his Design Problems","description":"\u003cp\u003eMüller-Brockmann’s book aimed to solve the graphic designer’s problem of finding the appropriate contemporary form. It became a standard work that still serves as a historic practical guide well beyond the boundaries of Switzerland. This edition is an unabbreviated reconstruction of the original edition of 1961, as a hardcover with jacket. It includes the additions made by Josef Müller-Brockmann himself for the paperback edition of 1983.\u003c\/p\u003e\n\u003cp\u003eIn the first part, the path from illustrative to functional graphic design is traced, as well as the meaning of design elements, their use and effect in every area of advertising: business printed matter, advertisements, brochures, books, posters, and exhibitions. The middle section of the book contains fundamental thoughts concerning the work of the graphic designer. The chapter “Science and Visual Communication” covers the area of semiotics and communications research. In the last part, the systematic education of the graphic designer is presented by means of a comprehensive documentation. Thus, the book offers graphic designers a valuable survey of the fundamental tasks of design.\u003c\/p\u003e\n\u003cp\u003ePages: 200\u003cbr\u003eDimensions: 260 × 225 mm \/ 10.2 × 8.8”\u003cbr\u003eLanguage: English, German, French\u003cbr\u003eBinding: Hardcover\u003cbr\u003eYear: 2003\u003cbr\u003ePublisher: Niggli\u003c\/p\u003e","brand":"Niggli","offers":[{"title":"Default Title","offer_id":44135980335279,"sku":"NITG170","price":12100.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_c236e60a-dc31-4359-a032-00816c78b2f8.jpg?v=1720347527"},{"product_id":"the-typographic-grid","title":"The Typographic Grid","description":"\u003cp\u003eThe typograhic grid is a child of constructive art. This book by Hans Rudolf Bosshard offers a collection of about two dozen typographic works of the author including books, brochures and art catalogues. The works, documented in schematic drawings and many individual illustrations, are not meant to be recipes; instead, they should provide the reader with impulses of how he himself can set design processes in motion from the outset. The many-sidedness of design with grid systems should be made manifest.\u003c\/p\u003e\n\u003cp\u003ePages: 200\u003cbr\u003eDimensions: 295 x 240 mm\u003cbr\u003eBinding: Cloth binding with jacket\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2000\u003cbr\u003ePublisher: Niggli\u003c\/p\u003e","brand":"Niggli","offers":[{"title":"Default Title","offer_id":44135997243567,"sku":"NITT242","price":14190.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_cc4aeae1-5692-46a6-ac15-0e8a71520a04.jpg?v=1720348385"},{"product_id":"typobiography-jost-hochuli-the-work-of-60-years","title":"Typobiography: Jost Hochuli, The Work of 60 Years","description":"\u003cp\u003eTypobiography looks back over the long and prolific career of the Swiss designer and typographer. Bringing together several texts by Jost Hochuli himself, contributions by well-known figures (including a preface by John Morgan and an interview with Robin Kinross) and a corpus of previously unpublished archival images, this monograph aims to raise interest in book design, and especially the inspirations and personalities that marked out the designer’s career.\u003c\/p\u003e\n\u003cp\u003eThe book is a visual monograph, which develops in several thematic sections the questions that have guided Jost Hochuli’s practice over his sixty-year career, and in particular his conception of design as an essential factor in the legibility of a text and the transmission of knowledge. Each part is abundantly illustrated with works specifically digitized and displayed in a layout designed by Jost Hochuli himself, to create a reference work on the designer’s work. The designer has just celebrated his 90th birthday in 2023, yet no monograph of his work has been published since Printed Matter, Mainly Books in 2002. This book will provide a much-needed update on the last twenty years of Jost Hochuli’s career, as well as on the renewed interest in his work, particularly as an author, among younger generations.\u003c\/p\u003e\n\u003cp\u003ePages: 200\u003cbr\u003eDimensions: 185 × 256 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2023\u003cbr\u003ePublisher: Editions B42\u003c\/p\u003e","brand":"Editions B42","offers":[{"title":"Default Title","offer_id":44136004026543,"sku":"EBTJ1072","price":7810.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_a35aaa20-34eb-4ca6-9cf3-1aca61b6816f.jpg?v=1720348761"},{"product_id":"typography-formation-transformation","title":"Typography: Formation +Transformation","description":"\u003cp\u003eTypographic design begins with a set of information and a concept. The designer, facing a blank sheet of paper or a computer screen, is anxious about the first step to take in developing a design. The elements of typography are an obvious starting point, but often do not get the attention they deserve. A thorough understanding of how letters, words, lines, paragraphs and columns are formed, what makes them unique as design elements, and how they express character and emotion are the most essential tools in the designer’s repertoire.\u003c\/p\u003e\n\u003cp\u003eThe basic principles of typographic design transform the utilitarian quality of words, lines, paragraphs and columns into an aesthetic form that conveys both the intellectual meaning and emotional feeling of the message. Through the relationship between the elements and space, and their rhythm and composition, design not only objectively conveys information but also gives subjective cues for the interpretation of its contents.\u003c\/p\u003e\n\u003cp\u003eAs a visual form of language, typography is perceived as a whole before its individual parts are read. The surface characteristics of the design – the topology – create the first impression and derive from the form, size, position, and color of the typographic elements. Captured in a series of transparent diagrams, they reveal a new design dimension and animate the designer to further develop the original conceptual idea. This process provides the designer with a tool for refining, altering, adjusting, deconstructing and reassembling the individual levels to create a finely detailed, cohesive typographic composition.\u003c\/p\u003e\n\u003cp\u003ePages: 160\u003cbr\u003eDimensions: 220 × 275 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2003\u003cbr\u003ePublisher: Niggli\u003c\/p\u003e","brand":"Niggli","offers":[{"title":"Default Title","offer_id":44136005075119,"sku":"NITF1163","price":11880.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_0821c447-4092-42d4-b938-e5af4640e122.jpg?v=1720348825"},{"product_id":"zurich-type-design","title":"Zurich Type Design","description":"\u003cp\u003eSince the 1990s, font design has been revolutionised by new technologies that enabled a scalable and mathematically accurate representation of graphic elements without a loss of quality. These days, even older fonts are being resurrected, redrawn, and launched digitally. In Zurich, educators and students of type design are especially focusing on new text fonts for printing, screens, and wayfinding. This specialist volume edited by Rudolf Barmettler offers an in-depth look at the booming trend in font design, with 70 examples of text fonts designed in graduate courses, plus 17 cross-disciplinary essays on readability, font history, calligraphy, teaching type design, and much more.\u003c\/p\u003e\n\u003cp\u003ePages: 228\u003cbr\u003eDimensions: 220 × 310 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: German, English\u003cbr\u003eYear: 2020\u003cbr\u003eDesign: baldinger•vu-huu\u003cbr\u003ePublisher: Triest Verlag\u003c\/p\u003e","brand":"Triest Verlag","offers":[{"title":"Default Title","offer_id":44136252178607,"sku":"TVZT337","price":9680.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_c957534f-bc95-4158-8a3f-935f3e5a175a.jpg?v=1720353690"},{"product_id":"abc-history-and-form-of-the-latin-script","title":"ABC - History and Form of the Latin Script","description":"\u003cp\u003eABC – History and Form of the Latin Script provides an overview of the development of the Latin script. It covers the origin of Latin characters and how they were changed and altered over the centuries and cumulates in a presentation of contemporary digital scripts and fonts. Based on Hans Eduard Meier’s (1923–2015) standard work The Development of Script and Type (first published in 1959), the editors have completely revised the book, supplementing and expanding it with state-of-the-art scientific findings. In his original work, Meier described the development of the Latin script, from Phoenician inscriptions and Greek lapidarian writing to the most important printed texts of the early 20th century. The authors supplemented Meier’s original work with a genealogy of all the fonts presented, including their font genres, as well as important 20th and early 21st century milestones that were previously absent.\u003c\/p\u003e\n\u003cp\u003ePages: 92\u003cbr\u003eDimensions: 200 × 300 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, German, French\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Triest Verlag\u003c\/p\u003e","brand":"Triest Verlag","offers":[{"title":"Default Title","offer_id":44514590458031,"sku":"TVAH1279","price":5500.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_24280c01-fae8-4f8a-8bf9-1ae74dd72592.jpg?v=1729668144"},{"product_id":"emojization","title":"Emojization: Visual Communication with Emojis","description":"\u003cp data-mce-fragment=\"1\"\u003eA means of expression for billions of people, emojis have established their function in our everyday lives. Increasingly complex in quality and quantity, these written language companions have long since transcended the realm of written communicatio to become a pop culture phenomenon of their own. This handbook is a manual and source of inspiration for anyone seeking to understand and use the full potential of emojis in visual communication.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt combines cultural, historical, and theoretical backgrounds with practical application examples. Selected works from recent years demonstrate the formal diversity of emojis and offer inspiration for one’s own work. Specific cases are used to show how emojis can be used in very different ways in the implementation of design tasks and creative projects to thus become part of visual identities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePages: 272\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 170 × 227 mm\u003cbr data-mce-fragment=\"1\"\u003eFormat: Hardcover\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003eYear: 2024\u003cbr data-mce-fragment=\"1\"\u003ePublisher: Niggli\u003c\/p\u003e","brand":"Niggli","offers":[{"title":"Default Title","offer_id":44685385597103,"sku":"NIEV1335","price":9460.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_a3010247-75d3-4db1-85bd-ba568b8fb1a8.jpg?v=1733160677"},{"product_id":"molecular-typography-laboratory","title":"Molecular Typography Laboratory","description":"\u003cp\u003eMolecular Typography Laboratory by Kobi Franco is a speculative research project that delves into experimental typography, exploring the intersection of function versus aesthetics and content versus form. This profound study operates on the premise that Latin and Hebrew letters possess a molecular structure, examining how this assumption can be applied to alphabets and languages. It is an interdisciplinary endeavor that bridges the gap between design, science, and language. The research involves a series of over 150 tests, each designed as a structured “game” where Franco defines the rules, sets the stage, and selects the participants. The book features four illuminating essays that provide historical, cultural, and academic insights into typographic research.\u003c\/p\u003e\n\u003cp\u003ePages: 224\u003cbr\u003eDimensions: 210 x 270 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English, Hebrew\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: Slanted Publishers\u003c\/p\u003e","brand":"Slanted Publishers","offers":[{"title":"Default Title","offer_id":44945662181551,"sku":"SPMT1419","price":7370.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_2208b81e-40ea-43cc-9ab3-ee01e2fc0f10.jpg?v=1740633534"},{"product_id":"caracteres","title":"Caractères: La fabrication des caractères pour machines à écrire en Suisse, 1941–1997","description":"\u003cp\u003eThree Swiss companies manufactured type for typewriters between the 1940s and 1990s: Caractères SA, Setag and Novatype. For over fifty years, they supplied leading office machine manufacturers in Europe and around the world, including Remington, IBM, Olivetti, Paillard-Hermes and Triumph-Adler. These three companies, which held a major position on the world market, were instrumental in the creation, development and manufacture of type components and typefaces for typewriters, and indeed for impact printers in general. This volume, with its detailed portraits of the three companies, explores the history behind these typefaces and the historical context in which they were produced. When all three factories closed in the 1990s, most of their archives were destroyed. As a result, this research quickly turned into a very detailed investigation aiming to document this period of history by means of primary sources. This book brings together the fruits of several years of research in numerous locations to reveal previously unpublished image material and cast a spotlight on a little-known chapter in industrial and typographic history, both locally and internationally.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.graphic-design-books.com\/en\/collections\/books\/products\/impact-type\"\u003eEnglish Edition\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePages: 240\u003cbr\u003eDimensions: 160 x 240 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: French\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Triest Verlag\u003c\/p\u003e","brand":"Triest Verlag","offers":[{"title":"Default Title","offer_id":45010149474479,"sku":"TVCL1445","price":5610.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_a95fa2e6-b27b-4087-b937-d2491a30114b.jpg?v=1742792286"},{"product_id":"impact-type","title":"Impact Type: Manufacturing Type for Type-writers in Switzerland, 1941–1997","description":"\u003cp data-mce-fragment=\"1\"\u003eThree Swiss companies manufactured type for typewriters between the 1940s and 1990s: Caractères SA, Setag and Novatype. For over fifty years, they supplied leading office machine manufacturers in Europe and around the world, including Remington, IBM, Olivetti, Paillard-Hermes and Triumph-Adler. These three companies, which held a major position on the world market, were instrumental in the creation, development and manufacture of type components and typefaces for typewriters, and indeed for impact printers in general. This volume, with its detailed portraits of the three companies, explores the history behind these typefaces and the historical context in which they were produced. When all three factories closed in the 1990s, most of their archives were destroyed. As a result, this research quickly turned into a very detailed investigation aiming to document this period of history by means of primary sources. This book brings together the fruits of several years of research in numerous locations to reveal previously unpublished image material and cast a spotlight on a little-known chapter in industrial and typographic history, both locally and internationally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.graphic-design-books.com\/en\/products\/caracteres\"\u003eFrench Edition\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePages: 240\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 160 x 240 mm\u003cbr data-mce-fragment=\"1\"\u003eFormat: Softcover\u003cbr data-mce-fragment=\"1\"\u003eLanguage:\u0026nbsp;English\u003cbr data-mce-fragment=\"1\"\u003eYear: 2025\u003cbr data-mce-fragment=\"1\"\u003ePublisher: Triest Verlag\u003c\/p\u003e","brand":"Triest Verlag","offers":[{"title":"Default Title","offer_id":45045043658927,"sku":"TVIM1463","price":5830.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/3853\/9183\/files\/1_c3c074f3-597f-4d23-bd1c-e178b3346845.jpg?v=1744038548"},{"product_id":"how-many-female-type-designers-do-you-know-3","title":"How Many Female Type Designers Do You Know?","description":"\u003cp\u003eA pioneering appraisal of female typographers, with historical research and interviews with contemporary practitioners.\u003c\/p\u003e\n\u003cp\u003eThis book surveys the past and present of women working in typography. The first section looks at the statistics, data and an overview of the field apropos of gender, supplemented with biographies of female type designers that worked in the 19th and early 20th centuries. 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